Provinces of the Philippines and Spanish Influence Origin

SUBMITTED BY Vince Carlo M. Payumo II-St. Martin Submitted To Ms. Fatima Mallari NATIONAL CAPITAL REGION (NCR) * ARAY fictional character Spanish Influence first Ermita, Manila pronunciation (ah-RAHY) The Aray is a Filipino form of the Spanish jota accompanied by sprightly steps. The bound, itself, is flirtatiousand involves the graceful use oftambourines by wo publicpower. * PASIGIN TYPE Rural Folks rake Pasig Pasigin came from the invent Pasig that is mentioning the name of the river. The bound was interpreting and inspiring the life of the fishermen. * PAYPAY DE MANILA TYPE Spanish Influence broth ManilaA leap performed by lovely youngladies carrying unfermented fans and flirts withyoung men with canes and straw hats. Ladies bounces their way to the heart of the men they desire through the use of a fan. Cordillera Administrative neck of the woods (CAR) * BANOG TYPE Cordillera dance ascendent Ifugao This dance depicts hunters protecting their hen andchicks in Binayla n from a hungry hawk. The hunters trap the hawk and kill it in the end. * BENDAYAN TYPE Cordillera Dance ORIGIN Benguet This is a circle dance, which is being performed to celebrate thearrival of successful headhunters. It is also popularly known asBendian. * DINUYYATYPE Cordillera Dance ORIGIN Ifugao PRONUNCIATION (dih-NOOH-yah) This is a feast dance from Lagawe. It is performed by the Ifugao men and women during a major feast. Accomp eaching the danceare three gangsa or gongs the tobtob, a brass gong about ten inches in diameter and contend by beating with open palms, and the various hibat or gongs played by beating the inner surface with a stick of softwood. * LUMAGEN TYPE Cordillera Dance ORIGIN Kalinga PRONUNCIATION (looh-MAH-gehn) A dance performed at Kalingafestivals to celebrate Thanksgiving and occasions suchas the birth of a first-born child, victories in battle, and marriage. SALIP TYPE Cordillera Dance ORIGIN Kalinga PRONUNCIATION (SAH-lihp) A Kalinga wedding dance th at depicts a warrior claiming his bride presenting her with a matrimonial blanket. The woman responds by balancing several clay pots upon her head. * SALISID TYPE Cordillera Dance ORIGIN Kalinga A suit dance being done to symbolize a rooster trying to attract the forethought ofa hen. This is performed and portrayed by both male and young-bearing(prenominal) which serves as the rooster and hen respectively. The dance starts when eachof them are givena piece of cloth known as ayob or allap * TAKILING TYPE Spanish InfluenceORIGIN Lubuagan, Kalingga The homecoming of triumphant head hunters after asuccessful kayaw ofheadhunting, done to avenge the death or evil done to a family member or relative is celebrated with the playing of special gongs called gangsa. The minger or successful warriors are honoured by their female relatives withgift of feather of lawi,beads or bongon and colorful g-string scalled ba-ag. Victory songs are sung bythe by the villagers age the minger dance with cl osed fists while the bodan or the unsuccessful members of the headhunting group are demoted toplaying the gangsas. * TAREKTEKTYPE Cordillera Dance ORIGIN Benguet A woodpecker courtship dance which imitates the movements of thebirds, with a colorful blanket for a prop. * UYAOY / UYAUY TYPE Cordillera Dance ORIGIN Ifugao PRONUNCIATION (OOH-yah-OOHY) An Ifugao wedding festival dance,which makes use of gongs andis usuallyperformed by the affluent wealthypeople. Those who have performed this dance areentitled to the use of gongs at their death. Ilocos Region (Region I) * LA SIMPATIKA TYPE Spanish Influence ORIGIN Pangasinan Simpatika representation demure, charming, and lovable, which are the qualities of asenorita deeply in love.The flavor and context of La Simpatika centers on loveexploits of gentlemen suitors who are after the love of their life. In the Philippineswhere moral rules are strict and binding, decree calls for the ladies to be impeccablydemure and gentlemen to be prim an d proper. * MANMANOK TYPE Cordillera Dance ORIGIN Ilocos Norte PRONUNCIATION (mahn-mah-NOHK) A dance featuring tribe roosters from theBago Tribe competing for the attention ofLady Lien. They use blankets designed with colorful plumes as a means to attract her. * OASIWAS TYPE Christian Dances ORIGIN Pangasinan PRONUNCIATION (wah-SEE-wahs)After a trusty catch, fishermen of Lingayen would celebrate by drinking wine-colored and bydancing, swinging and circling a lighted lamp hence the name Oasiwas, which in the Pangasinan dialect means swinging. Thisunique and colorful dance calls for skill in balancing an petroleum lamp onthe head while circling in each hand a lighted lamp wrapped in a porous cloth or fishnet. The waltz-style medical specialty is similar to that ofPandanggo sa Ilaw. Cagayan Valley (Region II) * JOTA CAGAYANA TYPE Spanish Influence ORIGIN Cagayan This dance originated from Spain and found its way into many places in the islands.Although it is Filipinized in many ways , Jota Cagayana still displays the ignore and fury of its Europe an origin. It is performed by the Ibanags situated in the Cagayan Valley. The steps are similar to that of the famous European dance steps such as the mazurka, polka, stretch forth and waltz. * JOTA ISABELA TYPE Spanish Influence ORIGIN Isabela An Ilocano dance performed by Ilocano settlers of the woodlands of old Isabela. * TURAYEN TYPE Cordillera Dance ORIGIN Cagayan Gaddang originated from the word ga and dang which means heat and burned respectively. The Gaddangs outlast in the middle of the Cagayan Valley.Their dialect is similar to that of the Ilokanos. Most of them are Christian converts and into agri destination. In this dance, the Gaddang imitates the birds attracted to tobacco trees. Central Luzon (Region III) * HABANERA JOVENCITA TYPE Spanish Influence ORIGIN Zambales PRONUNCIATION (ah-bahn-NYER-rah deh hoh-vehn-SEEH-tah) A graceful and beautiful habanera dance usually performed at a womens debut or weddi ng. Jovencita means young lady inSpanish. CALABARZON (Region IV-A) * ABARURAY TYPE Spanish Influence ORIGIN Quezon PRONUNCIATION (ah-bah-ROOH-rahy)The name of this dance came from a contraction of the words Aba and Ruray. Such dance is performed by the misss who balances the glass of wine on their head from which the young man drinks. * BALSE TYPE Spanish Influence ORIGIN Rizal PRONUNCIATION (BAHL-seh) Derived from the Spanish word valse, that means waltz, the dance was popular in Marikina and Rizal province during the Spanish times. Balse was performed after the Lutrina a religiousprocession, and the music that accompanied the dancers was played by the musikong bungbong ormusicians using instruments made of bamboo. MAGLALATIK TYPE Rural Folks ORIGIN lagoon PRONUNCIATION (mahg-lah-lah-TIHK) A native dance, which makes useof coconut shells as props. All themale dancers were using harnesses of coconut shells positioned on their backs, chests, hipsand thighs. * MALAGUENA TYPE Spanish Influence ORIGIN Quezon A favorite dance of the people from Laguna and Quezon during the Spanish times. * POLKABAL TYPE Christian Dances ORIGIN Atimonan, Quezon PRONUNCIATION (POHL-kah-bahl) A dance influenced by two limpid European styles polka and valse. SUBLIAN TYPE Rural Folks ORIGIN Batangas Subli came from two Tagalogwords, the subsub means stooped or in acrouching position and bali means broken. The dance was first seen many years ago in the barrio of Dingin, Alitagtag, Batangas. It was done during the town and barrio fiestas in the month ofMay. This is sacred anddance as ceremonial worship performed in homage to the Holy Cross that referred to Mahal na Poong Santa Cruz. MIMAROPA (Region IV-B) * JOTA PARAGUA TYPE Spanish Influence ORIGIN Palawan PRONUNCIATION (pah-RAHG-wah)A dance originating from Zamboangawhich makes use of Philippine bamboo castanets being held more often than not anddisplays steps with very strong Castillian influence. * KARATONG TYPE Islamic Dance ORIG IN Palawan The annual parade ofSan Agustine includes the celebration of blossoming mangotrees that grow abundantly on the island of Cuyo, the precedent capital of the Palawan province. Starting at the church patio and ending at the town plaza, groups of ladies sway their colorful bunga manga, which aremeant to represent the flowers ofthe mango tree while themen strike lively, syncopated beats with theirkaratong.Bicol Region (Region V) * PANTOMINA TYPE Spanish Influence ORIGIN Bicol A dance imitating the complex stages of love and courtship. This is also a popular dance at any social gathering. Western Visayas (Region VI) * GAYONG GAYONG TYPE Moslem Dance ORIGIN Aklan, Capiz In rural gatherings, this dance offers often fun. Gayong is a pet name for Leodegario. According to the legend and to the words of the song, Gayong and Masiong (pet name for Dalmacio) once attended a feast commemorating the death ofa townsman. spot eating, Masiong choked on a piece of Adobo so he called, Gayo ng Gayong to ask for help to dislodge a bone from the Adobo meal from his throat. In this dance, Masiongs likingfor feasts and the upshot of hisvoracity are held up to playful ridicule * PASEO DE ILOILO TYPE Spanish Influence ORIGIN Iloilo PRONUNCIATION (PAH-say-oh deh eeh-loh-EEH-loh) The most sophisticated courtship and flirt danceof the Spanish Era. This dance portrays the men competing against each other in order to win the heart of a young lady. Central Visayas (Region VII) * MAZURKA BOHOLANA TYPE Spanish Influence ORIGIN Bohol Mazurka Boholanais a Spanish-inspired ballroom dance from the Bohol province of the Philippines.The country was under the rule of Spain for more than three hundred years, during which time local culture was markedly influenced. Although the mazurka is the Polish national dance, it was wildly popularthroughout Europe in the 19th century and even in colonized lands overseas. The Philippine dance is ordinarily performed by men and women partners. Eastern Visayas (Region VIII) * ALCAMFOR TYPE Muslim Dance ORIGIN Leyte PRONUNCIATION (ahl-kahm-FOHR) This is a couples dance in which the girl holds a handkerchief laced with camphor oil, a substance that supposedly induces romance. * MALAKAS AT MAGANDATYPE Tribal Dance ORIGIN Leyte This is a legend and ancient tradition dance wherein it has been said that aweary bird perched on a huge bamboo because it heard some strange noises inside. It pecked the bamboo, split open and there came from the inside, Malakas the first man and Maganda the first woman. Malakas (The Strong) and Maganda (The Beautiful) are the parents of all the people of the island. * TIADOT TYPE Christian Dances ORIGIN Samar A South American inspired dance. Gaily-dressed couples show off thefashion of the period, immense tailed skirts and American Serrada suits.Zamboanga Peninsula (Region IX) * PANGALAY TYPE Muslim Dance ORIGIN Zamboanga del Sur PRONUNCIATION (pahng-AH-lahy) A popular festival dance in Sulu. This is a tral atitious fingernail dance being performed at wedding celebrations held by the affluent families. Northern Mindanao (Region X) * DUGSO TYPE Tribal Dance ORIGIN Bukidnon PRONUNCIATION (DOOHG-soh) A thanksgiving dance from the Talaindig Tribe. Davao Region (Region XI) * BAGOBO RICE CYCLE TYPE Tribal Dance ORIGIN Davao del Norte A tribal dance from the Bagobo Tribe which portrays the cycle of planting and harvesting of rice.SOCCSKSARGEN (Region XII) * KADAL TAHAW TYPE Tribal Dance ORIGIN South Cotabato A Tboli bird dance. This is being done to celebrate the good planting and harvesting which simulates the flights and hops of the tahaw bird. * KAPA MALONG MALONG TYPE Muslim Dance ORIGIN Cotabato PRONUNCIATION (KAH-pah MAH-long MAH-long) A traditional Maranao dance performed by women wearing a malong, shawl, mantle or a head-piece whereas themens version uses a sash or waist-band, shorts or bahag, and a head-gear or a turban which can also be used while working in the fields. * SAGAYAN TY PE Muslim DanceORIGIN Cotabato A Maranao war dance performedby fierce warriors. They carry a shield elaborately painted with curlicues, rounds, twirls and mirrors. This is alsoperformed before any celebration or gathering as a means to drive away the evil spirits as well as to welcome the good fortunes or omen. Caraga Region (Region XIII) * BINAYLAN TYPE Tribal Dance ORIGIN Agusan PRONUNCIATION (bih-NYE-lahn) This is a ritual dance, which originated from the Bagobo tribe living in the central uplands of Mindanao, imitating the movements of a hen, her banog or baby chicks, and a hawk.The hawk is sacred and is believed that it has thepower over the wellbeing of the tribe. The hawk tries to capture one of the baby chicks and is killed bythe hunters. * ITIK-ITIK TYPE Rural Folks ORIGIN Surigao del Norte PRONUNCIATION (EEH-tihk-EEH-tihk) This dance is performed at a baptismal party held in the province of Surigao del Norte. Such dance improvises the movements and steps thatis typical of how an itikor the duck acts and walks. Autonomous Region in Muslim Mindanao (ARMM) * ASIK TYPE Muslim DanceORIGIN Lanao del Sur PRONUNCIATION (ah-SIHK) A Bagobo Festival dance wherein the girl wears long metal fingernails while holding an comprehensive and posing in doll-like motions. * PAGAPIR TYPE Muslim Dance ORIGIN Lanao del Sur This dance is being performed by the ladies of the royal court in preparation for an important event. These ladies gracefully manipulate the Apir or fan while doing small steps or the so-called kini-kini which for them is a sign of having a good upbringing. * PANGALAY HA PATTONGTYPE Muslim Dance ORIGIN Tawi-Tawi PRONUNCIATION (pahng-AH-lahy-hah-pah-TOHNG) A dance performed by a royal couple balancing on top of bamboo poles and imitating the movements of a southern ridewith colorful sails or the so-calledvinta. * PANGALAY SA AGONG TYPE Muslim Dance ORIGIN Sulu A Tausugs traditional dance wherein two warriors compete againsteach other for the attention of ayoung woman. They use gongs to show th eir prowess and skill. * PANGSAK TYPE Muslim Dance ORIGIN Basilan